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Wag Your Tail Records

Melvin Taylor & The Slack Band - Dirty Pool


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Artist - Melvin Taylor & The Slack Band

Title - Dirty Pool 

Format - Single 180-Gram Vinyl LP

Label - Pure Pleasure

2021 Reissue

Analogue Limited Edition

Audiophile Re-Mastering

Pressed at Pallas


Electric blues guitarist Melvin Taylor had been sporadically recording solo albums for 20 years when Dirty Pool arrived — and was somehow just beginning to find fame. Already a hit in Europe, it had taken a steady run of performing in Chicago’s famed blues clubs to slowly earn Taylor a well-deserved reputation as an equal talent among the giants before him, such as Otis Rush, Albert King, and Stevie Ray Vaughan.

While early records like Melvin Taylor Plays the Blues For You show off an equally amazing jazz side, Taylor traded away his Wes Montgomery-inspired runs for more Luther Allison/Jimi Hendrix attacks with the formation of the trio Melvin Taylor and the Slack Band in the mid-’90s.

The title song of the second album by that outfit, “Dirty Pool,” is actually more the balls-to-the-wall, no-compromise, hard-rockin' electric Texas blues of Vaughan and Johnny Winter than the sweet Chicago soul of Buddy Guy.

Indeed, three tracks on this 1997 release, including “Dirty Pool,” were SRV tunes. Other standards, like “Kansas City” and “Floodin’ in California” also have more of a Lone Star State approach to them. But the Jackson, Miss.-born Taylor’s guitar is cleaner than his forebears and technically, he even surpasses them, yet the anger and sorrow of the blues is readily evident in his playing.

This rare combination of qualities really comes out in a slow blues tune like his solo in “Dirty Pool,” which after repeated listens, still makes my head shake in disbelief when I hear it.

“Too Sorry” is a good example of how well Taylor fares when he treads in Jimi Hendrix territory, whereas his rhythm work is the best I’ve heard from a lead guitarist since Vaughan; listen to “I Ain’t Superstitious,” “Born Under A Bad Sign” and the funky “Telephone Song” for your proof.

It also helps that Taylor’s drummer James Knowles is well in synch with him, while Ethan Farmer completely owns the low end of the sound. Farmer’s peppering bass lines in and “Floodin’ in California” is the textbook way electric blues bass should be. Overall, a tight little band.

Taylor’s vocals certainly won’t draw any comparisons to the Wide-Brimmed–Hatted One but he holds his own just fine until it’s cuttin’ time. This is right at the top of my list of best blues guitar playing on record over the last couple of decades. If you decide to give this one a listen, prepare to be blown away.




A1 Too Sorry 3:51
A2 Dirty Pool 6:58
A3 I Ain't Superstitious 4:23
A4 Kansas City 3:53
A5 Floodin' In California 4:55
B1 Born Under A Bad Sign 5:04
B2 Right Place, Wrong Time 5:08
B3 Telephone Song 3:54
B4 Merry Christmas Baby 7:25
Have Your Vinyl Record Ultrasonically Cleaned Before Shipment

Have Your Vinyl Record Ultrasonically Cleaned Before Shipment


Ultrasonic Cleaning

Your vinyl record will be cleaned by the Degritter 120kHz ultrasonic cleaning system. It has been carefully designed to make sure that records are cleaned thoroughly and without any damage to the surface of the record.

Ultrasonic cleaning works by creating a large number of microscopical bubbles in the cleaning bath, a phenomena called cavitation. The bubbles are a vacuum created by high frequency pressure waves moving through the water.

Every ultrasonic cycle bubbles are formed and collapsed, releasing energy as heat and minuscule strong water jets. These effects combined thoroughly clean all surfaces down to a microscopic level.

Cost of service is per vinyl record.  For example, Double LP records will require TWO cleaning service purchases. Price will include a new antistatic sleeve.